I learn a lot from the movies I watch. At an early age, I realized that I should *never* go into the basement alone (if at all), I knew that the blonde cavepeople were always the good cavepeople, that Hercules lived at the same time as the Incas, and that every flavor of foreigner has an English accent (except for Asians, who are just kind of… stilted… when dubbed).
The main thing I’ve learned from Italian crime dramas is that it takes very little to mount a successful crime spree in Italy. In the case of Sergio Grieco’s 1977 “Beast with a Gun,” a lone, swishy Austrian is enough to get the job done.
The movie begins with a daring jail break–Italian arch-criminal and all-around mad, sadistic bastard Nanni Vitali (the still-totally-not-Italian Berger) sort of walks rapidly out of prison with three henchmen in tow. They’ve taken one of the guards hostage and proceed to drive off in a small European car in search of revenge. Mainly “revenge,” but also “dough.”
What follows is a lot of punching, a smattering of rape, and a significant amount of hostage-taking and driving. What is notably *absent* is effective police-work and aggressive tactics on the part of the authorities. There are a few times during the film where the cops just sort of shrug and give up, allowing Nanni and his gang to escape (usually in a small European car, usually with hostages in tow, always with guns in-hand).
Nanni succeeds in exacting revenge on the informant who put him behind bars, he succeeds in taking the informant’s girlfriend (played by Marisa Mell, who had an entirely more consensual relationship with an arch-criminal in “Diabolik”) hostage, he succeeds in shooting a bunch of cops, but at the end of the day, the semi-ineffectual police commissioner is able to nab him mainly bu chance, since Nanni has decided to hole up in the lone building in a large stretch of countryside. [How’s THAT for an overly complex, run-on sentence, people?]
The acting is thoroughly outrageous and overwrought (as one might expect), the fashions are sometimes eye-bending (Benetton gets a credit at the end for providing the jeans in the film), and people behave in ways that are pretty much counter to anything any rational human has ever done. All-in-all, solid fare of this sort.
Because I love you, here’s a link to the completely NSFW trailer for the movie.
Originally posted in MySpace Blog 2/5/08