I have to say that GoodReads has been a great tool for me to get through some of the books I’ve been hoarding! There’s something to be said about the accountability of having a “Books I’m Reading” update glaring at me every time I log on. In addition to my podcast reads, here are a few titles that stood out for me this month.
Much as a I hate star ratings from a principled standpoint, they’re a good tool when seeking automated recommendations–sort of a way of saying “more like THIS, please.” I’m always going to default high when star-rating creative works in these kinds of online platforms, since my real approach is more of a “pass/fail” depending on what I’m looking to be entertained by at that specific moment.
By turns sardonic, mystical, romantic, witty, and violent, this lushly illustrated trio of stories builds an immersive fantasy-futurist vision that one won’t soon forget. Bilal seems to take a “more is more” approach, blending elements of espionage, mythology, film noir, surrealism, and meta-narrative into these stories. Each panel is exquisitely detailed, encouraging a pleasurably slow reading process. A spiritual cousin to The Incal but from a grimier, more pessimistic perspective.
Completely over the top horror SF fantasy from the team that created Requiem Vampire Knight. This is very much a Heavy Metal title, with all the violence, acerbic satire, and weird sexual politics that implies. Ledroit’s visionary art style brings Mills’ dystopian occult revenge plot to life. This very much feels like a test run for the more immersive (and more outrageous) Requiem.
Becky Cloonan’s gifts as a visual storyteller are aptly demonstrated in this trio of short stories linked by themes of loss, heartbreak, and the cruelty of fate. The juxtaposition of her thoroughly modern visual style with the weighty supernatural tales she weaves creates an impact that lasts long after the final frame. There’s a restraint present here that focuses the attention on small gestures and facial expressions, making climactic moments land all that much harder. The added “Concept Sketches & Illustrations” are a welcome treat that allow the reader to linger in Cloonan’s medieval world a bit longer. Highly recommended.
The real joy of Larson’s narrative approach to writing about history is found in the small moments he captures. While the broad strokes of Hitler’s consolidation of power are known to virtually all readers with a passing interest in military and political history, Larson narrows the focus and depicts events as experienced by a very specific set of personalities. This is a book about romantic entanglements, over-dinner conversations, and personal diary confessions, all of which grow to have dire consequences in the charged, bloody, and tragic atmosphere in which they occur. Larson mentions the influence of Christopher Isherwood on the development of the book, and that’s an apt point of reference for potential readers. This is a real page-turner with two captivating, flawed American characters (scholarly Ambassador Dodd and his vivacious twenty-something daughter Martha) at its center.