Can you believe I managed to avoid the books of V.C. Andrews for my entire life? For whatever reason (prejudice against popular girls, a love of gay vampires, and/or getting into general Goth kid mischief), it took me to this advanced age to be coerced into checking out My Sweet Audrina, Andrews’ horrifyingly claustrophobic tale of womanly trauma.
Jack and I tackle this title on the latest episode of our podcast, Bad Books for Bad People, where we delve into what makes this book so effective as well as why on earth tween girls went bonkers for these gothic novels.
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About the episode:
The potboiler Gothics of V.C. Andrews were beloved by adult women… and their tween daughters. Both Jack and Kate are new to the author’s infamous tales of female woe, and they discuss what it’s like to read her work for the first time during this discussion of Andrews’ 1982 novel My Sweet Audrina. This claustrophobic tale of a girl raised with family secrets in the shadow of her dead sister proves to be a surprisingly traumatic experience for Kate who is forced to confront some of her darkest fears, including the horrors of inheriting someone else’s kids.
Here to read an especially sensational passage from the book is Wendy Mays, hostess of Pet Cinematary, the podcast dedicated to taking a deeper look at the role of animals in film. This is her first time reading the work of V.C. Andrews as well, and it turned out to be a much more difficult task than your hosts imagined to find a woman unfamiliar with these macabre little novels.
How does the domestic nightmare world of My Sweet Audrina effect your hosts? Did V.C. Andrews’ life experiences add to the intensity of her stories? What were your hosts reading as tweens? Why did tween girls love these depressing forays into mental illness and isolation so much? Find out all this and more on this episode of Bad Books for Bad People.