Can you believe I managed to avoid the books of V.C. Andrews for my entire life? For whatever reason (prejudice against popular girls, a love of gay vampires, and/or getting into general Goth kid mischief), it took me to this advanced age to be coerced into checking out My Sweet Audrina, Andrews’ horrifyingly claustrophobic tale of womanly trauma.
Jack and I tackle this title on the latest episode of our podcast, Bad Books for Bad People, where we delve into what makes this book so effective as well as why on earth tween girls went bonkers for these gothic novels.
Click here to listen, or find us on iTunes, Stitcher, Google Play, or in your podcast app of choice by searching for Bad Books for Bad People.
About the episode:
The potboiler Gothics of V.C. Andrews were beloved by adult women… and their tween daughters. Both Jack and Kate are new to the author’s infamous tales of female woe, and they discuss what it’s like to read her work for the first time during this discussion of Andrews’ 1982 novel My Sweet Audrina. This claustrophobic tale of a girl raised with family secrets in the shadow of her dead sister proves to be a surprisingly traumatic experience for Kate who is forced to confront some of her darkest fears, including the horrors of inheriting someone else’s kids.
Here to read an especially sensational passage from the book is Wendy Mays, hostess of Pet Cinematary, the podcast dedicated to taking a deeper look at the role of animals in film. This is her first time reading the work of V.C. Andrews as well, and it turned out to be a much more difficult task than your hosts imagined to find a woman unfamiliar with these macabre little novels.
How does the domestic nightmare world of My Sweet Audrina effect your hosts? Did V.C. Andrews’ life experiences add to the intensity of her stories? What were your hosts reading as tweens? Why did tween girls love these depressing forays into mental illness and isolation so much? Find out all this and more on this episode of Bad Books for Bad People.
Morbid Fantasies is a richly illustrated reader’s guide to Gothic literature, guiding fans both old and new through the ever-changing landscape of this most ghoulish of genres. In its pages, scholar Jack Shear covers the history, key themes, and major books in the Gothic movement from its inception through the current day. It’s a love letter to this often misunderstood and under-appreciated form of entertainment, hand-bound and designed by Tenebrous Kate with featured illustrations by Dana Glover, Becky Munich, and Carisa Swenson.
In February, I’d written about the unique and overwhelmingly (yet delightfully) esoteric black metal and folk zine Black Ivory Tower, which at that time had been shuttered. It pleases me to no end to let you all know that Black Ivory Tower is back in blog form with a brand-new podcast. I’ve joined the BIT team and will be writing about the music that moves me as well as various beautiful, old-fashioned things.
Transmissions from the Black Ivory Tower Episode 1: I join Degtyarov and we talk about controversial album art, the pain of visa issues for musicians, and 90s video games. Unlike my podcast, this show does not include a section where the co-host is tortured by reading a filthy section of a book aloud (sorry to disappoint you all).
Magic for the People: The Art of Ivan Bilibin: I’ve long admired the artwork of the sole Russian representative in the Golden Age of Illustration. In many ways, Bilibin opened a window for Western audiences to glimpse the folklore and aesthetics of his culture, so I took a moment to appreciate his contributions.