Recent Work: Mata Hari, Dr. Sadism, and Historical Sluttery

Below are some recent additions to my  portfolio of illustration work–enjoy!

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Mata Hari – 11.7″ x 16.5″, ink and watercolor on bristol board. Private collection.

drsadism-SCREENTorture Chamber of Dr. Sadism – 11″ x 17″ ink on bristol with digital color. For Spectacle Theater in Brooklyn.

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Great Moments in Historical Sluttery – Empress Theodora for Slutist. Read the accompanying article I wrote and see the entire illustration on the Slutist website (which you should really be following if you love kickass women as much as I do). Illustration is ink on bristol with digital color.

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Great Moments in Historical Sluttery – Calamity Jane for Slutist. So I kinda missed my July deadline because I am sometimes bad at life (I make up for it with gobs of charm), but she’s technically July’s History Slut. Read the article and see the full illustration on the Slutist website.

 

Alraune [1928]

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There are an almost infinite number of enticements I could use to convince you to watch Henrik Galeen’s 1928 screen adaptation of Hanns Heinz Ewers’ decadent occult romance novel “Alraune,” but for the purposes of brevity and impact, I’ve selected the five GIFs below to plead my case. While the film departs from the source material in several particulars, it retains much of the cruelly humorous eroticism while adding in a tension-filled train ride and an extended circus interlude. Those are both terrifically Weimar Era touches to which I simply cannot object.

Backing up a few paces: the novel “Alraune” tells the story of a woman created by a scientist through artificially inseminating a prostitute with the seed of a hanged convict (deftly harvested during the criminal’s death throes) that the resulting child might take on the magical characteristics of the mandrake (alraune) root. This daughter brings both incredible luck and tragic misfortune to every person who attempts to get close to her, from bewitched fellow students in her convent school though besotted men who bend to her whims.

The English cut of the film adaptation glosses over Alraune’s conception, though for Those In The Know it’s all pretty much there, opening as it does on a fantastically moody gallows with lurking figures beneath. What the film does maintain, though, is the novel’s overarching spirit and (spoiler alert for an almost-100-year-old movie based on an over-100-year-old book) while the ending is significantly more upbeat, there’s something deliciously subversive about transforming a tale of a born-and-bred femme fatale into a redemption arc.

With that, I’ll proceed onto the facts of the case.

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FIRSTLY: “Alraune” features an actual “train going into a tunnel” cut to indicate two characters having sex. That’s fucking terrific.

alraune-4SECONDLY: Have you ever wanted to see Brigitte Helm, Maria from “Metropolis,” performing an adorable calisthenics routine? Then I admire the specificity of your tastes and will inform you that this is your film, friend.

alraune-3THIRDLY: There is a beer-drinking bear.

alraune-5FOURTHLY: I direct you to GIF Left, in which there is a woman wearing a monocle. The monocle was frequently donned by cosmopolitan German women who wished to indicate their lesbian identity, in a supreme gesture of elegant sartorial BAMF-ery.

alraune-1FIFTHLY (and perhaps most importantly): “Alraune” features some of the best exchanges of Significant Looks ever captured on film. The smoking! The gazes! The cheekbones! It’s more than the heart can stand.

And with that, I leave you to watch “Alraune” (aka “A Daughter of Destiny”):